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The coolest, all-time, greatest, most iconic, most famous album covers of all-time. Information technology doesn't really thing what sort of adjective you want to put it in front of the words "anthology cover," because lists of this sort of are always incredibly subjective. What nosotros tin say for sure, though, is that album covers are vitally important to how a tape is received by the public. (It'south hard to imagine Sgt. Pepper'south with the cover to the White Album and vice versa.) Even in today's digital age, a cool record cover can accept a huge affect. (Artists as varied equally Young Thug and Glass Animals tin can attest to that.) So, without further ado, here is our pick of only 100 of the greatest tape covers of all-time.
100: The Flamin' Groovies: Supersnazz (design by Cyril Hashemite kingdom of jordan)
Bandleader Cyril Jordan's terrific comic art has turned upwardly on numerous The Flamin' Groovies covers and posters over the decades. On their 1969 debut, the cavorting characters were there to remind you how much fun rock'n'ringlet was supposed to be.
99: The Bee Gees: Odessa
If The Beatles could do a double "White Album," the Bee Gees could do a fuzzy blood-red one. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to be unique and beautiful, which it was.
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98: The Rolling Stones: Beggars Banquet (design past Barry Feinstein)
Beggars Banquet is a rare instance where an album's two famous covers really complement each other. Put the notorious bathroom cover together with the engraved invitation on the US replacement, and you've got the yin and the yang of The Rolling Stones at the time.
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97: Ol' Dingy Bastard: Render to the 36 Chambers: The Muddy Version (design by Alli Truch, photo by Danny Clinch)
Whenever hip-hop started to take itself too seriously, ODB was at that place to disrupt, arouse, and give the middle finger to convention. Forgoing whatsoever blinged-out tropes, the one-time Wu-Tang fellow member put a doctored version of his welfare ID card on the forepart encompass of his solo debut, as both a reminder of where he came from and to destigmatize being on public assistance. Every bit he rapped on Wu-Tang'due south "Domestic dog Sh_t,": "Got meals but still grill that old good welfare cheese."
96: Nick Lowe: Jesus of Cool/Pure Pop for Now People (design by Barney Bubbling)
On an album that made a mad dash through the whole of pop history, Nick Lowe pictured himself in a bunch of different guises, from rockabilly hoodlum to sensitive balladeer (there were unlike pics on the US and UK versions), all with tongue firmly in cheek.
95: Jefferson Airplane: Long John Silver (pattern by Pacific Eye & Ear)
Jefferson Airplane'southward Long John Silver hails from the golden historic period of elaborate album covers. Since people were already using LPs to shop and clean marijuana, the Airplane gave you a cardboard box holder for it, along with the pot, or at to the lowest degree a realistic-looking photo.
94: Billie Eilish: When We All Autumn Comatose, Where Practise Nosotros Get? (pattern past Kenneth Cappello)
Any creative person who dares to look this terrifying on the cover of their start anthology deserves all the platinum success they get. Inspired by the album's themes of the subconscious, the dark sleeve of Billie Eilish'south When Nosotros All Autumn Asleep, Where Do Nosotros Go? served notice that Eilish was here to mess with your head.
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93: Parliament: Mothership Connexion (photo by David Alexander, design by Gribbitth)
George Clinton's gonzoid accept on outer-space adventure found its perfect match in the effortlessly cool spaceship-party cover for Parliament'due south Mothership Connection . The fact that it looked remarkably low budget only fabricated it funkier.
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92: Geto Boys: Nosotros Tin can't Exist Stopped (design by Cliff Blodget)
Walking a razor-sparse line between exploitation and cultural commentary was the Geto Boys' modus operandi, and null exemplified this dynamic more than their famous 1991 anthology cover art. The graphic photo of Bushwick Bill at the hospital was as unflinching equally their music.
91: The Cars: Candy-O (design by Alberto Vargas)
Alberto Vargas was already the virtually famous pin-upwardly artist before designing the famous comprehend for The Cars classic 1979 album Candy-O, but this painting of a stylish redhead, on a car of form, became his most famous slice. Processed-O is one of the two best uses of pin-up art on a stone record, along with…
90: Courtney Love: America'south Sweetheart (blueprint past Olivia De Berardinis)
For her debut solo album, Courtney Love took the Cars' concept a pace further by enlisting the younger, edgier pivot-upwardly artist (known professionally equally Olivia) to paint her. Of course, it got an extra dimension past playing with Love's ain image at the time.
89: The Rolling Stones: Their Satanic Majesties Request (blueprint by Michael Cooper)
The Rolling Stones probably couldn't beat the Beatles for a psychedelic anthology in 1967, only they arguably had the cooler album embrace, the first 3D sleeve in rock. X points if y'all can notice where the Beatles are hiding in the 3D paradigm on Their Satanic Majesties Request.
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88: Public Epitome Ltd: The Flowers of Romance
PiL's follow-up to their famous Metal Box album cover was even cooler, showing non-performing bandmember Jeanette Lee with a rose in her teeth, a weapon in her hand, and a murderous look in her eyes.
87: The Velvet Underground: The Velvet Clandestine & Nico (pattern past Andy Warhol)
It was weird, it was witty, it was Warhol. The famous minimalism of The Velvet Underground & Nico peel-away banana album cover became an influence on punk visual style many years later on and remains one of the greatest anthology covers.
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86: The Miracles: Hi, We're The Miracles (design by Wakefield & Mitchell)
The cool album cover for The Miracles' 1961 debut encapsulates the old-school showbiz that Motown would soon lead the world away from. Merely it'southward and so cheerful that you withal have to honey it.
85: The Go-Gos: Beauty & the Beat (design past Ginger Canzoneri, Mike Doud, Mick Haggerty, Vartan)
The Go-Go'south sense of playful subversion extended to their sendup of glamorous cover photos on their hit debut, Beauty & The Beat . It was their political party; you could join if they allow you.
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84: Dr. Dre: The Chronic (design past Michael Benabib)
This famous anthology embrace did wonders with its simple strategy. On his Dr. Dre'southward solo debut The Chronic , the pattern assumed that Dre was already an icon and presented him accordingly.
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83: Quincy Jones: The Dude (design by Fanizani Akuda)
Jeff Bridges' got zero on the original "The Dude," the effortlessly cool and quixotic anthology cover character that appears on Quincy Jones' genre-blending solo debut. Q ever had an ear for talent – equally his cross-cultural LP proved – but he besides had an heart for design. (He spotted the eponymous "Dude" statue at an art gallery and took it abode for inspiration.)
82: Cocteau Twins: Heaven or Las Vegas (design by Paul Westward)
The design-centric 4AD label did some of its finest work for the Cocteau Twins anthology covers. This shimmering image is undeniably cute, yet you never know just what it ways…just like their music.
81: James Brown: Hell (design by Joe Belt)
Arriving ane year afterward his milestone album The Payback , Chocolate-brown delivered the double-anthology Hell, which called out societal ills both on record and on the elaborately illustrated comprehend. Designed past creative person Joe Belt, who made his proper noun capturing the characters of the Wild West, Belt trained his aim on another nighttime affiliate of American history, depicting fallen soldiers, addicts, and an imprisoned populace. One of the nigh famous funk album covers ever.
fourscore: Slayer: Reign in Blood (design by Larry Carroll)
One of the greatest metal covers always designed, designer Larry Carroll packed a yard nightmares into this Bosch-like painting for Slayer'southward thrash masterpiece Reign in Blood , which influenced metal imagery for decades to come.
79: King Reddish: In the Court of the Reddish King (design by Barry Godber)
Robert Fripp saw this dramatic painting after In the Court of the Crimson Rex was completed and knew it perfectly suited the music, with the crazed cover figure as the 21st century schizoid homo. Sadly, the creative person passed away only months afterwards.
78: Moby Grape: Wow (design past Bob Cato)
One of the psych era'southward great hallucinations, the famous album cover for Moby Grape's 1968 double LP Wow showed an otherworldly landscape with the world's largest bunch of grapes. Wow indeed.
77: Kayne Westward: Yeezus (blueprint by Kanye West and Virgil Abloh)
One of the about famous album covers of contempo vintage. Kanye West brings the minimalist "White Album" concept to the CD era. You could likewise see Yeezus as the last celebration of the physical CD before it disappeared.
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76: Elvis Presley: l,000,000 Elvis Fans Can't Be Wrong (design past Bob Jones)
Ultra-absurd Elvis (in his shiny gilded Nudie adapt) gets multiplied in one of the nigh indelible early 60s images and greatest album covers. If there are that many Elvis fans, we volition, of form, need 15 Elvises.
75: Black Flag: My State of war (design by Raymond Pettibon)
Black Flag'south trailblazing punk-metallic wouldn't have been the same without Pettibon's grisly comic images, though in this example, not quite as grisly equally the album itself.
74: Talking Heads: Speaking in Tongues (blueprint past Robert Rauschenberg)
The brainchild of the Talking Heads' beautiful, moving-parts cover for their 1983 record Speaking in Tongues couldn't have improve represented the music within. It would have been rated college if the affair wasn't so tough to store.
73: The Mothers of Invention: We're But In Information technology for the Money (pattern by Cal Schenkel)
Frank Zappa wrapped his skewering of hippie culture We're Simply In It for the Money in an every bit roughshod parody of the famous Sgt. Pepper album cover to great success.
72: The Pogues: Peace and Love (pattern past Simon Ryan)
1 of the greatest joke album covers, the boxer was already a perfect image for the Pogues, but don't miss the subtle bit of play here. (The word "peace" of form has five letters.)
71: Rush: Moving Pictures (design by Hugh Syme)
Rush's greatest anthology covers expressed both their yard concepts and their cognitive sense of humour. In this staged encompass for Moving Pictures , which features many of the characters from the songs, nosotros detect at least three different visual plays on the album's championship.
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70: The Beatles: Abbey Road (design past John Kosh)
Equally it turns out, The Beatles were just too lazy to become to Mt. Everest – aye, that was the original plan – so they came up with something just as memorable by leaving the studio and crossing the street, resulting in the famous Abbey Route anthology cover. It'southward since gone done as 1 of the greatest of all fourth dimension.
69: Marvin Gaye: I Want You (pattern by Ernie Barnes)
All of Marvin Gaye's cool album covers are works of fine art in a manner, but Ernie Barnes'south 'Saccharide Shack,' which graces the comprehend of I Desire You , is the only i currently hanging in a museum. Barnes's sensual figures and celebrating dancers reflected the carnal nature of Gaye's 1976 anthology.
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68: Joe Jackson: I'm the Man (design past Michael Ross)
At that place's enough of punk attitude on Joe Jackson's album cover for I'thousand the Man, where he portrays the hero of the title vocal – a sleazy character who'll sell you annihilation – as long as you lot don't really need information technology.
67: The Beatles: Yesterday and Today (design by Robert Whitaker)
Okay, so information technology was a little graphic and provocative, merely as the single well-nigh controversial thing The Beatles ever did (and the most expensive for an original), the cover of Yesterday and Today surely earns a place on a list of the greatest album covers.
66: Alice Cooper: School's Out (blueprint by Craig Braun)
There were nearly every bit many copies of Alice Cooper'southward School'south Out in 1970s high schools as there were actual schoolhouse desks. X points if y'all got the original with the underwear inner sleeve.
65: Aerosmith: Draw the Line (design past Al Hirshfeld)
Anyone who went to plays or read the New York Times in the 70s will recognize the work of the line-drawing caricaturist Al Hirschfeld, who did his magic on Aerosmith's members hither. Every bit always, his daughter Nina's name was hidden a few times in this famous album comprehend.
64: Eric B. & Rakim: Paid in Full (design by Ron Contarsy)
Between the rappers' Gucci-style outfits and the piles of money in the groundwork, the cover for Eric B. and Rakim'southward sophomore album Paid in Total said it all about going bigtime in 1987 and is considered ane of the greatest album covers in hip-hop.
63: Joy Partition: Unknown Pleasures (design past Peter Saville)
The encompass of Joy Division's 1979 debut record is an bodily delineation of radio waves. This stark black-and-white cover became so iconic that it'southward now worn proudly on T-shirts by teens who've never heard of the band.
62: Funkadelic: Maggot Brain (photograph past Joel Brodsky, pattern by The Graffiteria/Paula Bisacca)
P-funk's wild fusion of funk, surrealism, and pop art extended beyond music, resulting in some of the most provocative LP covers of the era. Model Barbara Cheeseborough'due south screaming visage on the comprehend captured the swirling chaos of the 70s and searing funk-rock of Maggot Brain.
61: Family unit: Fearless
Ah, the days when bands had the coin to carry out their wildest ideas. The cover for the British prog-rock outfit Family's 1971 album is a multi-foldout extravaganza and features an early computer graphic, adding the individual band photos to each other until they become the pretty blur at top right.
60: The Beatles: Encounter the Beatles! (pattern past Robert Freeman)
The somber, shadowed photo featured on both the U.s. and United kingdom of great britain and northern ireland album version of See The Beatles! was simply the reverse of the smile pic that everybody expected to see, and the first of many conduct-overs from the Beatles' fine art-school days.
59: Pink Floyd: Ummagumma (design by Hipgnosis)
Near of Pink Floyd's covers would be in the running for a list of the greatest album covers, only we wanted to highlight something that wasn't Dark Side of the Moon. This burst of Storm Thorgerson / Hipgnosis imagination features four versions of the same photo (except that the ring rotates i position in each), matching their sense of surrealism.
58: Metallica: …And Justice For All (blueprint by Stephen Gorman)
Metallica's trademark mix of shock value and social commentary had few meliorate expressions than this prototype of a modern take on Lady Justice for their famous 1988 anthology cover to …And Justice For All .
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57: The Mamas & The Papas: If You Tin Believe Your Eyes and Ears (design by Guy Webster)
With all 4 bandmembers together in a bathtub, the cover said more about The Mamas & The Papas than what was probably intended. The toilet on the original cover of If You Tin Believe Your Eyes and Ears also proved to be a no-no in 1966.
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56: Madonna: Madonna (design past Carin Goldberg)
All of Madonna'south album covers are striking in their ain mode, just at that place's something special about her 1983 self-titled debut. She looks like she tin encounter everything that'due south going to happen to her in the next 40 years.
55: 10cc: 10 Out Of 10 (design past Hipgnosis)
The cover for 10 Out Of x remains one of Hipgnosis' fiendishly clever 10cc covers and ane of their more disregarded albums. Hither they're on the tenth floor of a hotel standing at the precipice, and only one of the guys seems concerned virtually information technology.
54: Thelonious Monk: Clandestine (photograph past Horn Grinner Studios; art direction/design: John Berg and Richard Mantel)
A nod to how Thelonious Monk must've felt every bit a pioneering jazz artist, Surreptitious casts the pianist every bit a French Resistance fighter in WWII. Columbia Records art director John Berg was responsible for iconic covers like Bob Dylan's Greatest Hits and Bruce Springsteen'southward Built-in To Run, but this was probable ane of his more than expensive: They congenital an unabridged set, complete with costumed extras, to create Monk's arresting album encompass.
53: Led Zeppelin: Led Zeppelin 2 (design by David Juniper)
It was an art-school friend of Jimmy Page's who created this mythic encompass by superimposing the bandmembers over a famous shot of WWI German fighter pilot the "Crimson Businesswoman" and his crew. Many Americans wondered what Lucille Ball was doing there but it was actually French extra Delphine Seyrig.
52: The Small Faces: Ogden's Nut Gone Flake (design past Nick Tweddell and Pete Brown)
One of the first round covers, the tobacco-tin can blueprint for this psychedelic precious stone stood out in the racks and prepared yous for the cheerful surrealism of the album's main suite.
51: Dave Stonemason: Alone Together (design by Barry Feinstein and Tom Wilkes)
This album embrace was more than of a multimedia assemblage, incorporating the die-cut edges and the marble-swirled disc into the overall design and giving an instant visual paradigm to the top-hatted Dave Mason.
50: Elton John: Don't Shoot Me I'm Simply the Pianoforte Player (design by David Larkham and Michael Ross)
Some of Elton'southward greatest album covers were a fleck splashy, others a little somber. The ane for Don't Shoot Me I'grand Only the Piano Player was just correct, drawing from his soon-to-exist-legendary love of movies.
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49: Ian Dury: New Boots and Panties!! (pattern by Barney Bubbles)
One of many cracking Stiff Records album covers, this defenseless Ian Dury's personality and stood in stark dissimilarity to the elaborate sleeves on the market at that time. Barney Bubbling as well did the handwritten notes, oft mistaken for Dury's.
48: Dave Brubeck: Time Out (comprehend by Neil Fujita)
Dave Brubeck's 1959 anthology Time Out is likely the most famous use of popular art on a jazz cover. In this case, the interlocking geometric shapes are a visual answer to the album'due south innovative time signatures.
47: Wendy Carlos: Switched-On Bach (design by Chika Azuma)
Sporting a photograph of JS Bach with a Moog synthesizer, Wendy Carlos' pioneering electronic album Switched-On Bach was unlike anything people had seen (or heard) earlier in 1968. As the outset classical anthology to become platinum in America, Carlos helped to bring Bach… to the future. Raise your manus if y'all also idea the cat was a head of lettuce.
46: Pinkish Floyd: Animals (design by Hipgnosis)
Non every ring would wing a grunter over Battersea Power Station, merely few other bands would make an album that admittedly chosen for information technology.
45: Hüsker Dü: Warehouse: Songs and Stories (pattern past Daniel Corrigan, Hüsker Dü)
The album encompass for Hüsker Dü's final studio album is one of those cases where a embrace is exactly like the album: brilliant, colorful and jarring in a welcoming style.
44: Chelsea Wolfe: Hiss Spun (design by John Crawford)
Like all goth-influenced artists, Chelsea Wolfe has a strong sense of the dramatic. The coiled-up trunk on the cover of her 2017 anthology embodies all the personal changes the songs deal with.
43: Blondie: Parallel Lines (design past Ramey Communications)
The great thing most the famous Blondie Parallel Lines album cover isn't just the black-and-white composition but the mode Debbie Harry (the but 1 non smiling) exudes power, while all the guys wait a bit goofy.
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42: Utopia: Swing to the Right (design by John Wagman)
This Reagan-era concept anthology makes its visual point by using a photograph of Beatles records being burned that followed John Lennon'south "more than pop than Jesus" remarks. Just in this case, the photo is a Mobius strip, and the album they're called-for is the very 1 they're standing in.
41: Taylor Swift: 1989 (design by Austin Hale and Amy Fucci)
On a throwback-themed album, Taylor Swift presents an erstwhile Polaroid of herself, but incomplete and out of focus. The mysterious epitome on 1989 'due south comprehend was an easy 1 for her fans to re-create, and they did.
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forty: Humble Pie: Rock On (pattern by John Kelly)
Why in the world did Humble Pie get a bunch of policemen to course a human pyramid? Because they could, of class.
39: The Rascals: In one case Upon a Dream (blueprint past Dino Danelli)
One of the many imaginative trips from the late 60s, this assemblage – by the band's drummer – represents various personal dreams of the band members.
38: PJ Harvey: To Bring You My Love (design by Valerie Phillips)
It may be a more glamorous cover after her first ii, but this photograph of PJ Harvey – in which she could hands be mistaken for Shakespeare's Ophelia – unsaid that a newer, softer image comes at a cost.
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37: Oasis: Definitely Perhaps (design by Brian Cannon)
Their debut anthology pictured Haven in the earth'due south coolest crash pad, showing every band of the era how it ought to be living.
36: Grace Jones: Island Life (design by Jean-Paul Goude)
Graphic designer and art manager Jean-Paul Goude met his lucifer, and his muse, with Grace Jones. Goude'south visual re-imagining of the androgynous vocalizer led to some of the best anthology covers in music history, from Nightclubbing to Slave to the Rhythm and the arabesque grandeur of Island Life. "It looked right to me and how I felt," said Jones. "Athletic, artistic, and alien."
35: A Tribe Called Quest: Midnight Marauders (photo by Terrence A Reese, blueprint by Nick Gamma)
Similar a proto XXL "Freshman Class", the three alternate covers of A Tribe Call Quest'due south classic third anthology Midnight Marauders featured a collage of 71 hip-hop personalities from Afrika Bambaataa to the Beastie Boys, like the Sgt Pepper of hip-hop. Concepted past Q-Tip, the Afrocentric cover came to fruition with the aid of Nick Gamma, the former art director at Jive Records.
34: Fleetwood Mac: Rumours (design by Desmond Strobel)
Stevie Nicks and Mick Fleetwood looked impeccably fashionable doing whatever information technology was they were doing on the famous Rumours album cover. Information technology's fair that the embrace was a little mysterious since the songs revealed everything else.
33: Steely Dan: Pretzel Logic (design by Raeanne Rubenstein)
Though Steely Dan was long associated with Los Angeles, the cover for Pretzel Logic (actually shot at Fifth Avenue and 79th Street) looks, feels, and tastes like New York.
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32: Smashing Pumpkins: Adore (design past Yelena Yemchuk)
Peachy Pumpkins' album covers were often softer and prettier than the music, just this embrace (created past Baton Corgan's then-girlfriend) is the perfect translation of the obsessively romantic theme of Admire.
31: Ohio Players: Climax (design by Joel Brodsky)
All the Ohio Players covers were legendary, and the early on Westbound ones were considerably more daring than the hit-era ones for Mercury. Equally the band often claimed, fewer people would have bought the albums if they'd put themselves on the covers.
30: The Louvin Brothers: Satan is Real (design by Ira Louvin)
Modern decease metal bands got nothing on country duo The Louvin Brothers, who went to the inferno in 1959 and looked peachy in white suits while doing it.
29: David Bowie: Heroes (pattern by Masayoshi Sukita)
David Bowie has at least v of the virtually iconic album covers of all time. From the lightning commodities on Aladdin Sane to Ziggy Stardust, it's difficult to pick. But the sublime strangeness of this David Bowie photo tells you everything you need to know about the creative madness of his Berlin menstruation. The embrace was memorably defaced by Bowie himself decades subsequently.
28: Kate Bush: The Kick Within (design past Jay Myrdal)
The more commonly known US embrace is nice enough merely makes it look like a conventional vocalist-songwriter album and Kate Bush is annihilation just. We're referring to the original United kingdom "kite" cover that introduced the strangeness and sensuality that Bush was all about.
27: Janelle Monáe: Dirty Computer (blueprint by Joe Perez )
The perfect comprehend for a cool, sensual and futuristic concept album, this captures Janelle Monáe'south depth and mystery and is a beautiful piece of fine art in its own right.
26: Miles Davis: Bitches Brew (design by Mati Klarwein)
Since Miles Davis' Bitches Mash sounded like no other previous jazz albums, information technology couldn't look like one either. It took a German painter schooled in surrealism to create its mix of African folk art and psychedelia.
25: David Bowie: The Adjacent Day (design by Jonathan Barnbrook)
Every fan did an immediate double-take when they saw Bowie'southward human activity of self-sabotage here. By defacing the Heroes cover, Bowie found the most dramatic way of saying "that was and then, this is at present".
24: Jethro Tull: Thick as a Brick (pattern by Roy Eldridge)
Largely written by bandmembers Ian Anderson, John Evan, and Jeffrey Hammond-Hammond (with help from Chrysalis staffer and former journalist Roy Eldridge), the famous newspaper embrace of Thick as a Brick is full of cross-references and cerebral wit – just similar the music – and Anderson said it took just as much work.
23: Nirvana: Nevermind (pattern by Robert Fisher)
The image of a baby grasping at a dollar neb became 1 of grunge'south coolest and near enduring symbols, an album embrace that captured the attitude of Nevermind and the era. The babe in question, Spencer Elden, even recreated the photo 25 years later.
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22: The Who: Who'south Next (design by Ethan Russell)
The iconic embrace for Who's Adjacent worked on two levels: first as a futuristic image of The Who against a monolith; and second, when you noticed their zippers and realized what the guys had been doing.
21: Uriah Heep: The Magician's Birthday (design past Roger Dean)
This embrace is Roger Dean at his almost vivid. When you lot walked into a record shop, you could encounter this album clear across the room.
20: Foam: Disraeli Gears (cover by Martin Sharp)
Psychedelic album covers were an art form in themselves, and the explosion of colour (with the band looking suitably avuncular) fabricated Foam's Disraeli Gears one of the definitive ones. The designer also wrote one of the anthology's most vivid lyrics on "Tales of Brave Ulysses."
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19: Santana: Lotus (design by Tadanori Yokoo)
You don't necessarily get a thing of rare beauty when you load a cover with as many fold-out panels and elaborate paintings as an xi-inch disc tin concur, but Santana certainly did in this case, thanks to famed Japanese designer Tadanori Yokoo. Recorded live during Santana's performances in Osaka, Nihon, the full sleeve fine art is an amalgamation of Buddhist and Christian imagery, along with Yokoo'due south signature pop fine art manner.
xviii: 10cc: How Cartel You! (design past Hipgnosis)
The ubiquitous Hipgnosis team outdid itself with this ultra-clever 10cc sleeve, which is non only inspired by i of the songs (the telephone sex-themed "Don't Hang Up") but is full of hidden gags, with the same people turning up in each of the four chief photos.
17: XTC: Go 2 (design past Hipgnosis)
Another Hipgnosis job, the famous anthology embrace for XTC's Go 2 boasts a dense block of typed copy that taunts and messes with the anthology heir-apparent'south head. No wonder the clever lads in XTC loved it.
16: Bruce Springsteen: Born to Run (design by Eric Meola)
It'southward hard to pick i Bruce Springsteen cover, when so many have ascended to iconic status. It could have merely every bit easily been Built-in in the The states, with its Annie Liebovitz photo and Bruce in a white t-shirt and blue jeans in front of an American flag. We decided to go instead with this kinetic photo that captured the camaraderie of the ring and the sense of stone'n'ringlet mission. While the anthology made an instant star out of Springsteen, the cover did the same for E Street Band's sax man Clarence Clemons.
15: Ramones: Ramones (design by Roberta Bayley)
The embrace of The Ramone's 1976 self-titled debut is pure punk stone in all its black-and-white grittiness. A proficient cover became a slap-up i the moment when a bored Johnny Ramone decided to give the photographer the finger.
14: Pixies: Surfer Rosa (pattern by Vaughan Oliver)
The Pixies' debut cover is sexy, sinister, and full of secret meanings, starting with a vintage-looking softcore photo that was staged for the cover shoot.
13: Yeah: Relayer (design by Roger Dean)
Roger Dean'southward fantasy paintings became equally much a role of prog-rock iconography as the music. He fittingly put his coolest album cover on Aye' most artistic anthology, an icy winterscape that illuminates the album's war-and-peace theme.
12: Frank Sinatra: Come Fly With Me (blueprint by Jon Jonson)
Each one of Sinatra'due south Capitol-era album covers was cool and classic in its ain way, from the solitary scenes on the ballad albums to the visual swagger on the swingers. The encompass of Come up Fly With Me caught both Sinatra's natural charisma and the attraction of the jet-set up era.
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eleven: Patti Smith: Horses (design by Robert Mapplethorpe)
If Horses wasn't enough to make Patti Smith an instant icon of bohemian absurd, the Robert Mapplethorpe album cover certainly was. Nobody ever slung a jacket over their shoulder that well.
ten: Talking Heads: Little Creatures (design past Howard Finster)
Howard Finster's uniquely Southern folk fine art was a perfect match for Talking Heads' back-to-roots album (and for R.Eastward.M.'s Reckoning effectually the same time). While some of Finster'south work had a darker streak, for this anthology he appropriately chose sunshine and wonderment.
9: John Coltrane: Blue Train (design by Reid Miles, photo past Francis Wolff)
Nearly of the classic Blue Note covers were full of bright graphics and exuberant photos (and lots of assertion marks!). Not and so with John Coltrane'south Blueish Train, whose absurd album encompass photo and mood lighting marked information technology as a piece of work to take seriously.
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8: Herb Alpert & the Tijuana Brass: Whipped Cream & Other Delights (design by Peter Whorf Graphics)
This iconic anthology cover said information technology all about coy mid-60s sexuality, bachelor-pad style. Despite its daring advent, if you looked closely, the whipped-cream clad model was really wearing a wedding clothes.
7: Kendrick Lamar: To Pimp A Butterfly (photo past Denis Rouvre, design by Kendrick Lamar and Dave Complimentary)
Finding anthology fine art that captured the genre-pushing ambition of To Pimp A Butterfly was a tall order, but Kendrick Lamar and TDE were up to the job, every bit Chiliad dot assembled his hometown crew for a victorious political party on the White House lawn, stomping on the symbol of a weaponized criminal justice system.
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vi: The Rolling Stones: Allow It Drain (design past Robert Brownjohn)
The Rolling Stones ever had absurd, attention-grabbing anthology covers. But while Sticky Fingers has a peachy story, Allow It Bleed was as unique and surreal. Taking its inspiration from the album's original title Automatic Changer, the front end has the album on a turntable stacked with all sorts of other things. We presume the mess on the backside happened after someone pressed "first."
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5: Large Brother & the Holding Visitor: Inexpensive Thrills (design past R. Crumb)
Arguably the coolest 60s album cover of all, the art for Big Brother & the Holding Company'south sophomore tape was too about people's introduction to the style of underground comic art perfected past R. Crumb. This way of art would be associated with psychedelic music from hither on out, though Crumb was a bit anti-hippie himself.
4: The Beatles: Sgt. Pepper's Lonely Hearts Club Band (design by Peter Blake)
Peter Blake's pop-art assemblage on Sgt. Pepper's famous album changed record covers forever, and kept many of usa occupied for weeks trying to identify everybody at the ceremony.
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3: Elvis Presley: Elvis Presley (pattern by Robertson & Fresch)
RCA wasted no time in cleaning upwardly Elvis, who'd wait completely respectable on all future albums. Meanwhile, his debut allowed him to expect similar the crazed hillbilly anybody's parents feared he was, captured in mid-song at the Fort Homer Hesterly Armory in Tampa, Florida. Which of course leads u.s. to…
2: The Clash: London Calling (photo by Pennie Smith, design by Ray Lowry)
A rare case where a parody (of the in a higher place Elvis cover) becomes a work of fine art in itself. The effortlessly cool album cover image of bassist Paul Simonon smashing his guitar practically screams rock'n'whorl, but like the music inside.
1: The Beastie Boys: Paul's Bazaar (pattern by Nathaniel Hornblower/Jeremy Shatan)
This beautiful, panoramic view of Ludlow Street in NYC on the anthology encompass of Paul'due south Bazaar did everything possible to put you right into the Beastie Boys' world, making it expect both funky and inviting. It also made it essential to ain the original, fold-out vinyl.
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Looking for more? Discover the worst album covers of all time.
Source: https://www.udiscovermusic.com/stories/the-100-greatest-album-covers/
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